{"id":535,"date":"2021-02-21T19:10:06","date_gmt":"2021-02-21T19:10:06","guid":{"rendered":"https:\/\/antonia-manhartsberger.mur.at\/news\/"},"modified":"2024-11-14T16:45:30","modified_gmt":"2024-11-14T16:45:30","slug":"news","status":"publish","type":"page","link":"https:\/\/antonia-manhartsberger.mur.at\/en\/","title":{"rendered":"dates"},"content":{"rendered":"\n<h1 class=\"wp-block-heading\" id=\"kommende\">upcoming:<\/h1>\n\n<ul class=\"wp-block-list\">\n<li>from 19th January on: <a href=\"https:\/\/www.mdw.ac.at\/audio-ghosts\/\">Audio ghosts<\/a>, sound installation, SP CE Vienna<\/li>\n<\/ul>\n\n<h2 class=\"wp-block-heading\">Recent:<\/h2>\n\n<ul class=\"wp-block-list\">\n<li>10th october 2024 20:00 premiere: Vaters Staat und Mutters Natur (father&#8217;s state and mother&#8217;s nature), <a href=\"https:\/\/zweiteliga.weblog.mur.at\/\">zweite Liga f\u00fcr Kunst und Kultur<\/a>, Keil-Galerie at Griesplatz 5 Graz, further performances 11th\/12th october 2024 20:00<\/li>\n\n\n\n<li>21st September 2024 20:00 Vaters Staat und Mutters Natur &#8211; preview performance @<a href=\"https:\/\/forumstadtpark.at\/de\/programm\/amalgam\">Amalgam<\/a>, Forum Stadtpark Graz<\/li>\n\n\n\n<li>6th september 2024 Frau Sammer @Dessi Soli, Arena Vienna<\/li>\n\n\n\n<li>28th june 2024: <a href=\"https:\/\/kulturkotter.at\/auto-verace\/\">Auto Verace: Vera (verace) Hagemann and auto sophia<\/a>, Kulturkotter Graz<\/li>\n\n\n\n<li>15. Juni 2024 Frau Sammer @<a href=\"https:\/\/www.kulturverein-oag.org\/\">OAG Sessions<\/a>, Zotl Graz<\/li>\n\n\n\n<li>8th june 2024: Frau Sammer + Katrin Sofie F. und der D\u00e4ne @<a href=\"https:\/\/schlor.org\/\">SchloR Vienna<\/a><\/li>\n\n\n\n<li>25th May 2024: Closing: <a href=\"https:\/\/bagnopopolare.ch\/2024\/02\/16\/23-3-24-25-5-24-reallabor-3-thermal-normal-im-rhythmus-des-gewohnlichen\/\">Thermal-Normal<\/a>, <a href=\"https:\/\/bagnopopolare.ch\/bad-zum-raben\/\">Bad zum Raben<\/a>, Baden Switzerland<\/li>\n\n\n\n<li>19th May 2024: Closing: <a href=\"https:\/\/ausstellungsraum.ch\/veranstaltungen\/atc\/\">ATC Against The Clock<\/a>, Ausstellungsraum Klingental, Basel Switzerland<\/li>\n\n\n\n<li>30th April 2024: <a href=\"https:\/\/frausammer.mur.at\/\">Frau Sammer<\/a> @<a href=\"https:\/\/www.odeon-theater.at\/wahlpurgisnacht2024\/\">Wahlpurgisnacht, Odeon Theater, Vienna<\/a><\/li>\n\n\n\n<li>23th March 2024 to 25th May 2024: Reallabor#3: Sound installation together with Jamilla Balint, <a href=\"https:\/\/bagnopopolare.ch\/bad-zum-raben\/\">Bad zum Raben<\/a>, Baden Switzerland<\/li>\n\n\n\n<li>January 27th: Frau Sammer @EKH, Vienna<\/li>\n\n\n\n<li>January 19th 2024: Finissage: <a href=\"https:\/\/www.mzbaltazarslaboratory.org\/event\/metamorphosis-mayhem-the-musical\/\">Metamorphosis Mayhem: The musical <\/a>with <a href=\"https:\/\/choreospheres.jimdofree.com\/\">Nicole Sabella <\/a>@<a href=\"https:\/\/www.mzbaltazarslaboratory.org\/\">Mz* Baltazar&#8217;s Laboratory<\/a>, Vienna<\/li>\n\n\n\n<li>December 22nd 2023: Verw\u00fcstung &#8211; live Performance @Setzkasten, Vienna<\/li>\n\n\n\n<li>December 16th 2023: <a href=\"https:\/\/frausammer.mur.at\/\">Frau Sammer<\/a> @<a href=\"https:\/\/1bm.at\/\">Einbaum\u00f6bel<\/a>, Vienna<\/li>\n\n\n\n<li>December 8th 2023: Vernissage: <a href=\"https:\/\/www.mzbaltazarslaboratory.org\/event\/metamorphosis-mayhem-the-musical\/\">Metamorphosis Mayhem: The musical <\/a>with<a href=\"https:\/\/choreospheres.jimdofree.com\/\">Nicole Sabella <\/a>@<a href=\"https:\/\/www.mzbaltazarslaboratory.org\/\">Mz* Baltazar&#8217;s Laboratory<\/a>, Vienna<\/li>\n\n\n\n<li>27th\/28th of october 2023:<a href=\"https:\/\/forumstadtpark.at\/de\/programm\/ultrablack\"> Mille Plateaux Ultrablack Nonference<\/a>, Forum Stadtpark Graz<\/li>\n\n\n\n<li>15th of october 2023: <a href=\"https:\/\/oe1.orf.at\/programm\/20231015\/736329\/Radiokunst-Live-aus-dem-rhiz\">\u00d61 Kunstsonntag: Radiokunst &#8211; Kunstradio: live from Rhiz with Lale Rodgarkia-Dara<\/a><\/li>\n\n\n\n<li>14th of october 2023: Crosstalks: <a href=\"https:\/\/www.oegzm.at\/tag\/manhartsberger\/\">MDW Klangtheater: Verw\u00fcstung<\/a><\/li>\n<\/ul>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">Current Projects:<\/h2>\n\n<h2 class=\"wp-block-heading\">residency scholarship in S\u00e3o Paulo, Brazil<\/h2>\n\n<p>I am in S\u00e3o Paulo for a art residency between October 22, 2024 and the end of December 2024. I&#8217;m looking forward to exciting encounters, new experiences and artistic exchange.  <\/p>\n\n<p>Many thanks to the Austrian Ministry of the Arts and Culture for the financial support.<\/p>\n\n<h2 class=\"wp-block-heading\">Vaters Staat und Mutters Natur (father&#8217;s state and mother&#8217;s nature)<\/h2>\n\n<p>by and with <a href=\"https:\/\/www.pomc-prod.de\/terreclaire\/about\/\">Claire Terrien<\/a>, <a href=\"https:\/\/vera.hagemann.mur.at\/\">Vera Hagemann<\/a> and Anto Manhartsberger<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"904\" height=\"1008\" src=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/09\/posterzlkk-2.jpg\" alt=\"\" class=\"wp-image-1031\" style=\"width:314px;height:auto\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/09\/posterzlkk-2.jpg 904w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/09\/posterzlkk-2-269x300.jpg 269w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/09\/posterzlkk-2-768x856.jpg 768w\" sizes=\"auto, (max-width: 904px) 100vw, 904px\" \/><\/figure>\n<\/div>\n<p>&#8211; Three daughters deal with the heritage of their deceased father and the absence of their mother. As they bake together, they begin to break down their family history into its individual ingredients &#8211; they share memories, formative convictions, views and narratives and go in search of clues. Until the first outlines of a biotope emerge from behind the swirl of agitated stories, which has long since taken root in the artificial boundaries, the stone views and inner walls &#8211;  <\/p>\n\n<p>a production by <strong><a href=\"https:\/\/zweiteliga.weblog.mur.at\/\">zweite liga f\u00fcr kunst und kultur<\/a><\/strong><\/p>\n\n<p><strong>Premiere: 10.10.24 20:00<\/strong><\/p>\n\n<p>further presentations: 11.10.24 und 12.10.24 je 20:00<\/p>\n\n<p>Keil-Galerie am Griesplatz 5, 8020 Graz<\/p>\n\n<p>Reservations: zweiteliga@mur.at<\/p>\n\n<h2 class=\"wp-block-heading\">Verw\u00fcstung<\/h2>\n\n<p>The piece Verw\u00fcstung (Devastation) by Scar sisters (Anto Manhartsberger and Constanza Mendoza) addresses structural violence in gynaecological surgery. A lack of transparency and information and underdeveloped research clash with capital and individual interests. People whose reproductive options are limited or who have no desire to have children are denied the right to self-determined sexuality and their reproductive organs can be removed without a second thought. The often far-reaching consequences are ignored in medical discourse and the psychological, physical and sexual consequences are neglected. Those affected feel anger, sadness, powerlessness, loneliness and inner emptiness.<br\/>Verw\u00fcstung is a call for solidarity and self-empowerment.<br\/><strong>We are scar sisters, ready to fight. With our bodies and our words. Our weapon is openness. Scar sisters against patriarchy, scar sisters for radical empathy, scar sisters against physical and psychological violence at the examination chair. Scar sisters for unlimited satisfaction. Sisters in solidarity!<\/strong><\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"Verw\u00fcstung [2023] Teaser\" src=\"https:\/\/player.vimeo.com\/video\/888383155?dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\"><\/iframe>\n <\/div><\/figure>\n\n<p>Verw\u00fcstung [2023] short compilation: <\/p>\n\n<figure class=\"wp-block-embed is-type-video is-provider-youtube wp-block-embed-youtube wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"Scar Sisters - Verw\u00fcstung [live recording compilation]\" width=\"700\" height=\"394\" src=\"https:\/\/www.youtube.com\/embed\/LHsKpdzJi7g?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe>\n <\/div><\/figure>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">Metamorphosis Mayhem: The Musical<\/h2>\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/01\/MzB-TheMusical-191223-2-6-1024x683.jpg\" alt=\"\" class=\"wp-image-985\" style=\"width:840px;height:auto\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/01\/MzB-TheMusical-191223-2-6-1024x683.jpg 1024w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/01\/MzB-TheMusical-191223-2-6-300x200.jpg 300w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/01\/MzB-TheMusical-191223-2-6-768x512.jpg 768w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/01\/MzB-TheMusical-191223-2-6-1536x1024.jpg 1536w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2024\/01\/MzB-TheMusical-191223-2-6-2048x1365.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9Janine Schranz<\/figcaption><\/figure>\n\n<p>Within the whimsical realm of \u201cMetamorphosis Mayhem: The Musical\u201d, SirenX and Auto CAT create a performative installation that invites visitors to joyfully plunge into the vibrational intricacies of caterpillar communication. The growing test setup melts karaoke, playfight, and a generative soundscape, opening up a space for interspecies flirtations and a specifically created form of wrestling: the caterpillar scramble or Raupenrauferei. By steering away from the common glorification of the butterfly and redirecting attention to both the resilience and silliness of the caterpillar stage, the project encourages appreciation for diverse journeys of transformation.  <\/p>\n\n<p>Link to the Caterpillaroke Songs: https:\/\/tube.graz.social\/my-library\/video-playlists\/91328254-a848-4933-9310-c43334365451<\/p>\n\n<p>08.12.2023 \u2013 26.01.2024 @<a href=\"https:\/\/www.mzbaltazarslaboratory.org\/event\/metamorphosis-mayhem-the-musical\/\">Mz*Baltazar&#8217;s Lab<\/a><\/p>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h4 class=\"wp-block-heading\">to desert<\/h4>\n\n<p><strong>TO DESERT<\/strong> &#8211; <strong>deserteur:innenorgelkl\u00e4nge<\/strong> by Anto Manhartsberger and Lale Rodgarkia-Dara<\/p>\n\n<p>With TO DESERT we want to initiate our big project to play the hero organ of Kufstein and thus invisibly transform it into a desteur:innen organ; to create factual realities from sounds. While Anto was practically born into the sound space of the Kuftstein outdoor organ, Lale was fascinated by the sound of the organ during a crisis-ridden phase of her life. It has opened up space for both.<\/p>\n\n<h2 class=\"wp-block-heading\">Past projects:<\/h2>\n\n<h2 class=\"wp-block-heading\">Im Zuge der Ern\u00fcchterung oder Eine Reise ins Innere<\/h2>\n\n<p>won the second prize at <strong><a href=\"https:\/\/berliner-hoerspielfestival.de\/festival-2023-wettbewerb-das-kurze-brennende-mikro\/\">Berliner H\u00f6rspielpreis<\/a>.<\/strong> <\/p>\n\n<p>Past performances at Schauspielhaus Graz, Lokalharmonie Duisburg and Theater im Bahnhof Graz May &#8211; July 2023.<\/p>\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"169\" src=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2023\/07\/fotos-Reihe-1024x169.png\" alt=\"\" class=\"wp-image-752\" style=\"width:842px;height:138px\" title=\"peter jacques\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2023\/07\/fotos-Reihe-1024x169.png 1024w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2023\/07\/fotos-Reihe-300x50.png 300w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2023\/07\/fotos-Reihe-768x127.png 768w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2023\/07\/fotos-Reihe-1536x254.png 1536w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2023\/07\/fotos-Reihe-2048x338.png 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9Peter Jaques<\/figcaption><\/figure>\n\n<p>After a night of drinking, a woman wakes up on a train.<br\/>As the landscape rushes past the window, she slowly comes round and begins to remember &#8211; drunken moments and drunken people, all of whom always get derailed at some point. As the pounding in her head lessens and her thoughts become clearer, the train becomes the stage for a drinking society and she begins to question where she is. Is she across the border yet?<br\/>Is it time to get out or change?<br\/>The performance is a feminist attempt at reconstruction with memories of the poem &#8220;The Journey to Petushki&#8221; by V. Yerofeyev, an attempt to find a language: How sober do we want to be?<\/p>\n\n<p>concept: Vera Hagemann, Anto Manhartsberger, Bianca Fladerer <br\/>Text: <a href=\"https:\/\/vera.hagemann.mur.at\/\">Vera Hagemann<\/a><br\/>stage design and costumes: Bianca Fladerer<br\/>Sound and Composition: Anto Manhartsberger <br\/>Performance: Vera Hagemann, Anto Manhartsberger<\/p>\n\n<h2 class=\"wp-block-heading\">please don&#8217;t eat the rich<\/h2>\n\n<p>Sound installation in the context of <a href=\"https:\/\/www.forumstadtpark.at\/de\/programm\/sicherheitsfestspiele\">Sicherheitsfestspiele, Forum Stadtpark<\/a><\/p>\n\n<p>The sound installation is about the question of security at the Opera Ball. What do opera ball visitors need to be protected from? What are the potential threats, dangers and inconveniences? What disturbs veteran conformism?<\/p>\n\n<p>By interweaving audio snippets of potential security threats with those of classic opera ball kitsch in a random arrangement, the aim is to scratch the smooth facade of the social highlight of the Austrian ball season.<\/p>\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"flex-basis:100%\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"Please don&#039;t eat th rich [excerpt] by AS Eulenspiegel\" width=\"700\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1419230596&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=700&#038;secret_token=s-9d4pbAVQfpw\"><\/iframe>\n <\/div><\/figure>\n<\/div>\n<\/div>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">those sounds are wrapped in scars<\/h2>\n\n<p>Sound installation as part of the <a href=\"https:\/\/klanglicht.buehnen-graz.com\/installation\/antonia-manhartsberger-n-n\/\">Klanglicht Festival Graz 2022<\/a> in Graz Reininghaus.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img decoding=\"async\" src=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/THOSE-SOUNDS-ARE-WRAPPED-IN-SCARS-by-Antonia-Manhartsberger&#xA9;-Kanizaj-for-Klanglicht-2022-9890_kompr2.jpg\" alt=\"&#xA9;Marija Kanizaj \" class=\"wp-image-358\" style=\"width:500px;height:334px\"\/><figcaption class=\"wp-element-caption\">\u00a9Marija Kanizaj<\/figcaption><\/figure>\n<\/div>\n<p>The sound installation <em>those sounds are wrapped in scars <\/em>is based on the idea that we can hear the histories of surrounding architectures and objects. The sound of a space or an object and its inherent resonance are composed of its material condition and its spatial dimensions. Every change, be it a scratch, a hole, a weld, etc., modifies it. The sound of an object therefore always contains its history as well. With humans, we also use the term resonance. How strongly we react to external influences is always an expression of our individual stories and our scars.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"768\" src=\"http:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/thosesounds_mics-1024x768.jpg\" alt=\"\" class=\"wp-image-360\" style=\"width:364px;height:273px\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/thosesounds_mics-1024x768.jpg 1024w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/thosesounds_mics-300x225.jpg 300w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/thosesounds_mics-768x576.jpg 768w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/thosesounds_mics-1536x1152.jpg 1536w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/10\/thosesounds_mics-2048x1536.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n<\/div>\n<p>The sound installation is based on the principle of feedback. The resonance of the barrels is picked up by contact microphones and the picked-up signal is simultaneously reproduced directly by contact loudspeakers (transducers) on the barrel. This establishes an autonomous resonance system. simultaneously, the signal is digitally altered and dynamic harmonic layers are generated. The visitors can have an influence by knocking against the barrels and they can also sense the vibrations directly by touching the barrels.<\/p>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">a ghost in the pepper<\/h2>\n\n<p>Installation and performance with <a href=\"https:\/\/suonoreale.mur.at\/\">Margarethe Maierhofer-Lischka<\/a> rpremiered in the Austrian sculpture park (sterrrn festival 2022) in <a href=\"https:\/\/www.museum-joanneum.at\/skulpturenpark\/skulpturen\/plan-uebersicht\/matta-wagnest\">Matta Wagnests <em>Labyrinth<\/em><\/a><\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"682\" src=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/220626_Sterrrn_c_Wildberger_008-kompr-1024x682.jpeg\" alt=\"\" class=\"wp-image-326\" style=\"width:472px;height:315px\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/220626_Sterrrn_c_Wildberger_008-kompr-1024x682.jpeg 1024w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/220626_Sterrrn_c_Wildberger_008-kompr-300x200.jpeg 300w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/220626_Sterrrn_c_Wildberger_008-kompr-768x512.jpeg 768w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/220626_Sterrrn_c_Wildberger_008-kompr.jpeg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9Clara Wildberger<\/figcaption><\/figure>\n<\/div>\n<p>A ghost* in the pepper is a performative installation that plays with expectations and role clich\u00e9s in the relationship between audience and performers and seeks to break through them. With the help of audible and visible reflections and refractions, a multi-layered, walk-through space of experience is created. Performers, audience, sculpture and environment are connected by acoustic feedback and visual reflections to form a whole system that is influenced by all those present. In this way, the sculpture is transformed from a labyrinth of mirrors into a social space in which everyone is equally an actor. Through the shared, symbolic experimentation with an open situation, we can become aware of our own reflections and projections.<\/p>\n<div class=\"wp-block-image\">\n<figure class=\"alignleft size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/Sterrrnfestival_260622_c_Johanna-Lamprecht_026-kompr-1024x683.jpeg\" alt=\"\" class=\"wp-image-327\" style=\"width:637px;height:424px\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/Sterrrnfestival_260622_c_Johanna-Lamprecht_026-kompr-1024x683.jpeg 1024w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/Sterrrnfestival_260622_c_Johanna-Lamprecht_026-kompr-300x200.jpeg 300w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/Sterrrnfestival_260622_c_Johanna-Lamprecht_026-kompr-768x512.jpeg 768w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2022\/07\/Sterrrnfestival_260622_c_Johanna-Lamprecht_026-kompr.jpeg 1280w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">\u00a9Johanna Lamprecht<\/figcaption><\/figure>\n<\/div>\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"A ghost in the pepper [live recording] by AS Eulenspiegel\" width=\"700\" height=\"400\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Ftracks%2F1419311515&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=700&#038;secret_token=s-cZIEUPkVueV\"><\/iframe>\n <\/div><\/figure>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">g\u00fdro <\/h2>\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"g&amp;yacute;ro Teaser\" src=\"https:\/\/player.vimeo.com\/video\/720206441?h=aee3ce8427&amp;dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n <\/div><\/figure>\n\n<p>generative audiovisual live performance based on correlating audio and video feedbackloops (Supercollider\/TouchDesigner). Two wooden boxes built for this purpose are each prepared with a contact microphone (piezo disk) and a contact loudspeaker (transducer). The signals are processed based on an algorithmic principle, which then control audio-reactive visuals. Later, rhythmic elements are added, whose relationships also follow the given algorithmic principle.<br\/>The algorithmic principle is derived from the idea that there is no universal time, but rather various simultaneously existing linear and cyclical perceptions of time, which in their interplay make the perception of time and the understanding of rhythm possible in the first place. Wooden boxes and loudspeakers sound simultaneously in the room. The AV performance focusses on the contemplative sensual experience.<br\/>G\u00fdro is performed live over a duration of approx. 20 minutes.<\/p>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">MALICE. or the poisoned apple<\/h2>\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"Malice Teaser\" src=\"https:\/\/player.vimeo.com\/video\/718588115?h=ba42814400&amp;dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n <\/div><\/figure>\n\n<p>a short film by and with Bruna Diniz Afonso, Franziska Betz, Vera Hagemann, Lain Iwakura and Antonia Manhartsberger<\/p>\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\"\/>\n\n<h2 class=\"wp-block-heading\">BAD WORKOUT &#8211; Tomorrow is cancelled [snippets]<\/h2>\n\n<iframe loading=\"lazy\" title=\"bad workout - tomorrow is cancelled [exerpts]\" src=\"https:\/\/tube.graz.social\/videos\/embed\/ee171dae-3e02-463e-98a7-ff8e3beb97da\" allowfullscreen=\"\" sandbox=\"allow-same-origin allow-scripts allow-popups\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n<p>Interactive audiovisual performance<br\/>original length: 20 min<\/p>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<h2 class=\"wp-block-heading\" id=\"present-in-difference\"> present.in.difference<\/h2>\n\n<iframe loading=\"lazy\" sandbox=\"allow-same-origin allow-scripts allow-popups\" title=\"present.in.difference\" src=\"https:\/\/tube.graz.social\/videos\/embed\/18b52cbb-b3ed-4ce1-bd5f-b7c3c973f110\" allowfullscreen=\"\" width=\"560\" height=\"315\" frameborder=\"0\"><\/iframe>\n\n<p><em>english version below<\/em><\/p>\n\n<p><strong>present.in.difference<\/strong> is a filmic-dance exploration of the Lend district of Graz, its inhabitants and its sound.<br\/>In just under 20 minutes, the film unfolds a physical-performative narrative about the complexity of the surrounding living space, its different speeds and lived realities. A narrative about encountering and becoming part of urban dynamics as an artistic interdisciplinary reflection on the sociology of space.<\/p>\n\n<p>The work is based on conversations with people from and in Lend. We thank them for their time and their openness.<\/p>\n\n<p>choreography and dance: Bruna Diniz Afonso<br\/>composition and sound design: Anto Manhartsberger<br\/>camera und arrangement: Peter Hutter<\/p>\n\n<p>Funded by the Cultural Year Graz 2020<\/p>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<p><strong>present.in.difference<\/strong> is a cinematic-dance exploration of the Lend district in Graz, its inhabitants and its sound.<br\/>In just under 20 minutes, a physical-performative narrative unfolds in the film about the complexity of the surrounding living space, its different speeds and lived realities. A narrative about encountering and becoming part of urban dynamics as an artistic interdisciplinary reflection on the sociology of space.<\/p>\n\n<p>The work is based on conversations with people from and in Lend. We thank them for their time and their openness.<\/p>\n\n<p>Choreography and dance: Bruna Diniz Afonso<br\/>music and sound design: Anto Manhartsberger<br\/>camera and editing: Peter Hutter<\/p>\n\n<p>Funded by the Cultural Year Graz 2020<\/p>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<div class=\"wp-block-columns alignwide are-vertically-aligned-center is-style-twentytwentyone-columns-overlap is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-vertically-aligned-center is-layout-flow wp-block-column-is-layout-flow\">\n<div class=\"wp-block-group\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<h2 class=\"wp-block-heading\" id=\"fuge-im-glockenklang\">-FUGE- im Glockenklang<\/h2>\n\n\n\n<div style=\"padding:56.25% 0 0 0;position:relative;\"><iframe src=\"https:\/\/player.vimeo.com\/video\/807848259?h=9b6676bd4e&#038;badge=0&#038;autopause=0&#038;player_id=0&#038;app_id=58479\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen=\"\" style=\"position:absolute;top:0;left:0;width:100%;height:100%;\" title=\"-fuge- im Glockenklang - Documentation\" frameborder=\"0\"><\/iframe><\/div><script src=\"https:\/\/player.vimeo.com\/api\/player.js\"><\/script>\n\n\n<div class=\"wp-block-image\">\n<figure class=\"alignright size-full is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"516\" src=\"http:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2021\/02\/Antonia_Manhartsberger_Foto_Stadtpfarrkirche_Graz_Viktor_Andriichenko_web.jpg\" alt=\"\" class=\"wp-image-98\" style=\"width:442px;height:285px\" srcset=\"https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2021\/02\/Antonia_Manhartsberger_Foto_Stadtpfarrkirche_Graz_Viktor_Andriichenko_web.jpg 800w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2021\/02\/Antonia_Manhartsberger_Foto_Stadtpfarrkirche_Graz_Viktor_Andriichenko_web-300x194.jpg 300w, https:\/\/antonia-manhartsberger.mur.at\/wp-content\/uploads\/2021\/02\/Antonia_Manhartsberger_Foto_Stadtpfarrkirche_Graz_Viktor_Andriichenko_web-768x495.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><figcaption class=\"wp-element-caption\">\u00a9Viktor Andriichenko<\/figcaption><\/figure>\n<\/div>\n\n\n<p>The project &#8220;-FUGE- im Glockenklang&#8221; is the title of an electro-acoustic sound installation in the city centre of Graz, which could be experienced for a few minutes every day at 12 noon and additionally at 3 pm on Fridays during Lent 2021.<\/p>\n\n\n\n<p>Manipulated recordings of the bells of the Graz City Parish Church were played from a loudspeaker opposite the tower of the church. The decay of the church bells was digitally extended to more than a minute and, when played, blended with the last stroke of the bell, as if it were being held in decay. This expansion created an unexpected resonance space that triggered an irritation of the spatial experience of time. This was intended to encourage the people present to pause and look around.<br\/>During the duration of this sound installation, it could be observed that many passers-by slowed down as they passed by, as if a gap had opened up at this point in the street in which time was organised differently.<\/p>\n\n\n\n<p>The aim of the installation is to intervene in the urban choreographies of passers-by. The apparent nondecaying of the bells is intended to create a perturbation that interrupts the routine and thereby opens up space for other thoughts and perceptions.<\/p>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/www.katholische-kirche-steiermark.at\/portal\/home\/aktuellesneu\/article\/25960.html\">https:\/\/www.katholische-kirche-steiermark.at\/portal\/home\/aktuellesneu\/article\/25960.html<\/a><\/p>\n\n\n\n<p class=\"has-small-font-size\"><a href=\"https:\/\/soundportal.at\/news\/news-detail\/die-kunst-der-fuge-in-graz\">https:\/\/soundportal.at\/news\/news-detail\/die-kunst-der-fuge-in-graz<\/a><\/p>\n<\/div><\/div>\n<\/div>\n<\/div>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<h2 class=\"wp-block-heading\" id=\"die-schichtschlaferin\">die Schichtschl\u00e4ferin (the night lodger) <\/h2>\n\n<figure class=\"wp-block-embed is-type-wp-embed is-provider-cba-cultural-broadcasting-archive wp-block-embed-cba-cultural-broadcasting-archive\"><div class=\"wp-block-embed__wrapper\"> \n<blockquote class=\"wp-embedded-content\" data-secret=\"fSUFc7c9R4\"><a href=\"https:\/\/cba.fro.at\/465624\">Die Schichtschl\u00e4ferin<\/a><\/blockquote><iframe loading=\"lazy\" class=\"wp-embedded-content\" sandbox=\"allow-scripts\" security=\"restricted\" style=\"position: absolute; clip: rect(1px, 1px, 1px, 1px);\" title=\"&#8222;Die Schichtschl\u00e4ferin&#8220; &#8212; cba - cultural broadcasting archive\" src=\"https:\/\/cba.fro.at\/465624\/embed#?secret=mabMJX1lq1#?secret=fSUFc7c9R4\" data-secret=\"fSUFc7c9R4\" width=\"600\" height=\"338\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\"><\/iframe>\n <\/div><\/figure>\n\n<p>A young woman can no longer sleep in her own bed, her bed &#8220;has a hole in it&#8221;. She gets to know people who sometimes have to work at night and then sleeps in their beds. The radio play audience experiences the story of the night lodger through dialogue, narration, dreams and inner monologues, immersing themselves in a wondrous world, enveloped in unique sounds and spherical soundscapes.<\/p>\n\n<p>A radioplay by Antonia Manhartsberger &amp; Antonia Biberger. With: Antonia Biberger, Anto Manhartsberger, Vasilis Contoguris, Alice Peterhans<\/p>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<h2 class=\"wp-block-heading\" id=\"where-comes-the-blood-from\">Where comes the blood from<\/h2>\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"where comes the blood from\" src=\"https:\/\/player.vimeo.com\/video\/431042658?h=04c9ad84e8&amp;dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n <\/div><figcaption class=\"wp-element-caption\">&#8220;You said, you won&#8217;t touch me,<br>where is your hand now?<br>You said, you would never touch me,<br>where comes the blood from.<br>You said, you won&#8217;t &#8211;<br>where am I now?&#8221;<br>Stop violence against Women!<\/figcaption><\/figure>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<figure class=\"wp-block-embed is-type-video is-provider-vimeo wp-block-embed-vimeo wp-embed-aspect-16-9 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"young and pretty\" src=\"https:\/\/player.vimeo.com\/video\/659225689?h=3d6b7b0b41&amp;dnt=1&amp;app_id=122963\" width=\"700\" height=\"394\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture\" allowfullscreen><\/iframe>\n <\/div><figcaption class=\"wp-element-caption\">Young and Pretty is an experimental exploration of gender-conforming self-representations, sistergood, and the potential of makeup as an emancipatory tool in the context of conservative structures in institutionalized electronic music.<br>Please use headphones.<\/figcaption><\/figure>\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n<div class=\"wp-block-group alignwide\"><div class=\"wp-block-group__inner-container is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-cover alignwide has-custom-content-position is-position-top-center is-style-twentytwentyone-border\"><span aria-hidden=\"true\" class=\"wp-block-cover__background has-vivid-red-background-color has-background-dim-100 has-background-dim\"><\/span><div class=\"wp-block-cover__inner-container is-layout-flow wp-block-cover-is-layout-flow\">\n<figure class=\"wp-block-embed is-type-rich is-provider-soundcloud wp-block-embed-soundcloud wp-embed-aspect-4-3 wp-has-aspect-ratio\"><div class=\"wp-block-embed__wrapper\"> \n<iframe loading=\"lazy\" title=\"AS Eulenspiegel\" width=\"700\" height=\"450\" scrolling=\"no\" frameborder=\"no\" src=\"https:\/\/w.soundcloud.com\/player\/?visual=true&#038;url=https%3A%2F%2Fapi.soundcloud.com%2Fusers%2F167589148&#038;show_artwork=true&#038;maxheight=1000&#038;maxwidth=700\"><\/iframe>\n <\/div><\/figure>\n\n\n\n<p><a href=\"https:\/\/vimeo.com\/aseulenspiegel\">https:\/\/vimeo.com\/aseulenspiegel<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-9d6595d7 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><\/p>\n<\/div>\n<\/div>\n\n\n\n<div style=\"height:20px\" aria-hidden=\"true\" class=\"wp-block-spacer\"><\/div>\n<\/div><\/div>\n<\/div><\/div>\n","protected":false},"excerpt":{"rendered":"<p>upcoming: Recent: Current Projects: residency scholarship in S\u00e3o Paulo, Brazil I am in S\u00e3o Paulo for a art residency between October 22, 2024 and the end of December 2024. I&#8217;m looking forward to exciting encounters, new experiences and artistic exchange. Many thanks to the Austrian Ministry of the Arts and Culture for the financial support. &#8230; <span class=\"more\"><a class=\"more-link\" href=\"https:\/\/antonia-manhartsberger.mur.at\/en\/\">[Read more&#8230;]<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["entry","page","publish","author-admin","post-535"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.9 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Anto Manhartsberger composition and sound art<\/title>\n<meta name=\"description\" content=\"Intermedia installations and performances, instrumental compositions, live electronics, audiovisual works as well as theatre, film and radio play scoring.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" 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